ZUGZWANG.

ZUGZWANG traps two men inside a single concrete room: one who has nothing, and one who has everything. Between them sit a chessboard and a clock that never stops ticking.

As the game unfolds, money, power, and morality keep rewriting the rules — until the quiet horror sets in. The pieces were never equal. The clock was never neutral. The game was never fair.

Every frame — the brutalist architecture, the faces under the light, the impossible spaces between moves — was created entirely with artificial intelligence.